Conceptual artist Rachel Perry started her art career late in life, when she was already a working mother, and so gravitated naturally to working with whatever found and collected objects she had at hand. Perry’s Lost In My Life project is in many ways a culmination of this magpie instinct, illustrating the sheer volume of material our homes accumulate simply through daily living, their subtle accretion over time, and how organizing them reveals their true burden on us.
Recently I’ve been pirating my own work to make new projects, turning sculptures created as discrete works into set-ups in the photography studio. Literally absorbed in my work, “Lost in My Life” references the endless organizing, cleaning and shopping that form the business of living.
It’s been pointed out that much of the detritus Perry collects for these pieces – twist ties, takeout containers, bread tags – are designed to preserve things, yet end up burying and obscuring her instead. What would our own streams of consumption, painstakingly collected and organized, look like?
Rachel Perry’s collaborated with Vogue, the New York Times, and oddly, Johnson & Johnson; be sure and scroll to the bottom of this page for a video in which the artist discusses her creative process, her cycles of collecting and discarding, and one particularly significant (if embarrassing) collected object.